At the intersection of art and new media, a place where the convergence emerges.
Showing posts with label open source. Show all posts
Showing posts with label open source. Show all posts
Thursday, March 3, 2011
Some thoughts on the Knowledge Economy
In 1969 Peter Drucker popularized the phrase knowledge economy. The idea of a knowledge economy is that knowledge is viewed as a product versus knowledge as a tool. The knowledge economy is based on the economics of abundance. I touch on this in Open Source: The End of Scarcity Means More. Information and knowledge increase through the act of sharing. The more data/information shared, the more growth in knowledge results. Knowledge flows as water, it drips then becomes a steady stream or torrent where ever there is demand and few barriers. In the knowledge economy, wealth is based on ownership of knowledge and information.
Forty-two years later Drucker’s children are the knowledge workers – the Gen X and Yers, the Millennials and Digital Natives are established or entering the workplace. As suggested in my post, What If Work Were Fun?, the worker of the 21st century is becoming a knowledge worker. Schooled in new media, the brightest of them are capable of both convergent and divergent thinking, they can be collaborative, evaluate priorities, make connections, establish and nurture relationships, and be flexible enough to both create new paradigms as well as modify existing ones.
Social media has risen in importance and currently drives the knowledge economy because communication is a fundamental component to the stream of knowledge and information. Social media highlights the importance of relational capital – one based on interactions and relationships. The act of transforming information into knowledge is the creation of value.
Just a few years ago we did business differently. The rule was - I offered a product/commodity for sale, you bought it (or not), end of transaction. It was an even exchange, a closed system. But the knowledge economy has changed that. The open sourced, new way of doing business also values expertise and the concept of “know how”. Meshing social with business creates an emotional bond. It’s about more than just selling, these relationships foster an interactive and cooperative exchange.
The old way of doing business doesn’t work effectively anymore because more social effort needs to be invested to get people to listen. Business must engage and be present vis a vis their customers who now demand openness, flexibility and a willingness to embrace change.
I have an actor friend who used to believe that once he landed an agent, he could just sit back and the jobs would come rolling in. He believed that an agent would do the heavy lifting for him, bring him work so he wouldn’t have to hustle. This didn’t happen, so he fired the agent. But once my friend realized that he was his own best representative - his career started to take off because he was creating value for himself. He was giving to get. Now he’s got several agents chasing him.
“What you give is what you get.”
I used to talk about this concept a lot when I was a fundraising executive. We rallied our board members around the Give/Get principle because we expected them to create value for the institution.
It’s not really that different in business. By giving value for the people around you, you will get value in return. Value creates thought leadership, someone who people want to know and do business with. People want to give business to those who give them business. This is not a new idea, but it’s one worth being mindful of because emphasizes reciprocity, an exchange which creates a relationship.
I try to create value everyday because I appreciate the community I inhabit. For me, it makes for a full and fulfilled work life. Who doesn’t want that?
Photos from: Wikipedia, Teamsubmarine & Mr. Cheapstuff
Friday, June 18, 2010
Open Source – The End of Scarcity means More
IBM has estimated that the amount of digital information will double every 11 hours in 2010.
That’s an abundance of unlimited content, access, and information. Something barely imaginable. It is frightening and exciting at the same time. It is a huge paradigm shift for a culture used to a previous world driven by scarcity, preciousness and exclusivity.
The potential here is best understood in the context of education.
At Itunes U any number of amazing and free lectures from places like MIT, the Sorbonne, Cambridge and UNC Chapel Hill can be downloaded.
It’s a remix of the traditional idea of education: get some experts, people eager to learn and start a discussion. Where it takes place is less relevant, though to draw students the content must be strong and the sense of Bakhtinian sobornost – “togetherness” or “true sense of community” must still exist.
More control and choice for learners creates a P2P environment where students are both learners and teachers as well as creators and consumers. Knowledge flows freely rather than being stockpiled.
A unique example of this is happening at Purdue University. They have designed an app called Hotseat. It functions like Twitter for the lecture hall and in fact was developed with the idea that students were already texting anyway -- why not create a faculty endorsed distraction to focus that back channel discussion? With this app, students are commenting on the commentary and asking questions. Student to student sharing has been embraced by Purdue rather than seeing it as a threat for it’s potential to encourage cheating and non independent learning. In this way, redundant academic work becomes more vibrant and open. Hotseat is remediative - a new way of showing an old media form. Ie; the "class discussion" experience.
That’s an abundance of unlimited content, access, and information. Something barely imaginable. It is frightening and exciting at the same time. It is a huge paradigm shift for a culture used to a previous world driven by scarcity, preciousness and exclusivity.
The potential here is best understood in the context of education.
At Itunes U any number of amazing and free lectures from places like MIT, the Sorbonne, Cambridge and UNC Chapel Hill can be downloaded.
It’s a remix of the traditional idea of education: get some experts, people eager to learn and start a discussion. Where it takes place is less relevant, though to draw students the content must be strong and the sense of Bakhtinian sobornost – “togetherness” or “true sense of community” must still exist.
More control and choice for learners creates a P2P environment where students are both learners and teachers as well as creators and consumers. Knowledge flows freely rather than being stockpiled.
A unique example of this is happening at Purdue University. They have designed an app called Hotseat. It functions like Twitter for the lecture hall and in fact was developed with the idea that students were already texting anyway -- why not create a faculty endorsed distraction to focus that back channel discussion? With this app, students are commenting on the commentary and asking questions. Student to student sharing has been embraced by Purdue rather than seeing it as a threat for it’s potential to encourage cheating and non independent learning. In this way, redundant academic work becomes more vibrant and open. Hotseat is remediative - a new way of showing an old media form. Ie; the "class discussion" experience.
Tuesday, June 8, 2010
The Spectacular Society: why the open source movement could lead to a conscious revolution for social justice
Kite running in Afghanistan is a dangerous sport. Lives are endangered in this endeavor so distracting that Afghans have plunged to their death from great heights or been gravely injured chasing their beloved kites, as precious and revered as baseball and apple pie for Americans.
Guy Debord, the author of “The Society of the Spectacle” suggests that mass media offers a distraction by showing a fake reality to obfuscate the degradation of capitalism. After being subjected to a few minutes of the reality TV series “The Real Housewives of New York” in a physician’s waiting room, one might suspect he was on to something.
Could distraction be the metaphor for our involvement in international conflict? Is the pursuit of war a massive spectacle to distract the ordinary citizen? The phrase, “Go fly a kite” comes to mind. In other words, beat it, so the important work can get done.
Victor Klemperer’s writing regarding the language used by the Nazi regime illustrate the importance of observing how those in power manipulate language. Ironically after surviving the oppression of this regime as a Jew he went on to serve in the Volkskammer of the former German Democratic Republic, one of the most oppressive states of the 20th century.
Repeated negative images, news of death and failure, unemployment, the continuing spill of oil into the Gulf all cause us to suffer from “compassion fatigue”, burn out, secondary traumatic stress disorder. Where political events and our private lives in the post 911-era intersect, it appears that scaremongering and schadenfreude create compassion fatigue which in turn is remedied tidily by spectacle.
The disconnect caused by spectacle has also engendered a sense of desperation for contact. We are so obsessed with the need to be ‘in touch” that we repeatedly reach out to our colleagues and family members via text message and Facebook. In a dislocated, spectacular world, our constant seeking of reassurance that everything’s “okay” drives us as intensely as the Afghan kite runners.
A little distraction is probably okay, within the realm of normal even. But how can we be assured that we aren’t completely disconnected from human suffering and injustice? One way is by reclaiming the message we’re given. If everyone can possess the means to reshape the images and messages sent to us, then meaning can be re-framed and the hegemony of those who have power over our language can be challenged.
New meaning can be recreated, communities formed and social change created. In this way, much like the open source software movement, open data and information access can be the tools of compassionate social change.
Guy Debord, the author of “The Society of the Spectacle” suggests that mass media offers a distraction by showing a fake reality to obfuscate the degradation of capitalism. After being subjected to a few minutes of the reality TV series “The Real Housewives of New York” in a physician’s waiting room, one might suspect he was on to something.
Could distraction be the metaphor for our involvement in international conflict? Is the pursuit of war a massive spectacle to distract the ordinary citizen? The phrase, “Go fly a kite” comes to mind. In other words, beat it, so the important work can get done.
Victor Klemperer’s writing regarding the language used by the Nazi regime illustrate the importance of observing how those in power manipulate language. Ironically after surviving the oppression of this regime as a Jew he went on to serve in the Volkskammer of the former German Democratic Republic, one of the most oppressive states of the 20th century.
Repeated negative images, news of death and failure, unemployment, the continuing spill of oil into the Gulf all cause us to suffer from “compassion fatigue”, burn out, secondary traumatic stress disorder. Where political events and our private lives in the post 911-era intersect, it appears that scaremongering and schadenfreude create compassion fatigue which in turn is remedied tidily by spectacle.
The disconnect caused by spectacle has also engendered a sense of desperation for contact. We are so obsessed with the need to be ‘in touch” that we repeatedly reach out to our colleagues and family members via text message and Facebook. In a dislocated, spectacular world, our constant seeking of reassurance that everything’s “okay” drives us as intensely as the Afghan kite runners.
A little distraction is probably okay, within the realm of normal even. But how can we be assured that we aren’t completely disconnected from human suffering and injustice? One way is by reclaiming the message we’re given. If everyone can possess the means to reshape the images and messages sent to us, then meaning can be re-framed and the hegemony of those who have power over our language can be challenged.
New meaning can be recreated, communities formed and social change created. In this way, much like the open source software movement, open data and information access can be the tools of compassionate social change.
Labels:
Facebook,
kites,
open source,
social change,
spectacle,
war
Wednesday, May 19, 2010
"Towards a more robust discourse of meaning in the media"
I'm still exploring the open source/new media education thread at EatTheOther...
Open source media paves a new way of communicating ideas collaboratively so that the old models of journalism and documentary narrative no longer apply. The monopoly of a handful of media moguls is crumbling. Bloggers, citizen journalists and aggregators have disrupted the system of distribution and now provide ever expanding alternatives to the traditional distribution streams. A new, New Journalism is on the rise with social networking creating a linchpin culture of leaders within this movement.
One of these cultural linchpins is the Brave New Foundation’s Brave New Educators (BNE) project. BNE’s mission is to engage people in a narrative to provide context and meaning. By using access to primary sources of moving imagery we practice constructing meaning and use these sources to create a new, unique and evolving sense of perspective in a digital form narrative.
BNE creates an incubator for social change by engaging educators and their student scholars with the catalysts of shock, shame, fear, and anger – the elephants in the room that people avoid.
Though critics may suggest that this bricolage methodology is documentary filmmaking 2.0, however documentaries don’t fully engage their audience. They tend to present an “ain’t it awful” scenario, leaving the viewer feeling disengaged and disempowered. The difference with the experience of Brave New Educators is that the activity of remixing exposes the creator to the negative material while allowing them to move through it and create their own narrative from it, thus empowering students and giving them essential tools for critical thinking in a media convergent society. These multimedia, hypertextual digital texts are light years from the traditional, dry college essays. Students in the BNE pilot program reported that while they found the material surprising, shocking and disturbing, it was the act of engaging with material they found uncomfortable that helped them gain new perspectives and create their own narrative.
Collaboratively involving others in a collective organized movement is a work of activism. Remixed narratives ignite the thought process and become a catalyst for collaborative change. In this way, ideas function as viruses, jumping from place to place until they go viral and create a wave of participatory culture that has the power to effect real change. This sharing and collaboration produce an innovative hybrid in the truest democratic form – organized chaos. The wisdom of crowds is founded on diverse opinions and ideologies. The new media is the catalyst for that.
Open source media paves a new way of communicating ideas collaboratively so that the old models of journalism and documentary narrative no longer apply. The monopoly of a handful of media moguls is crumbling. Bloggers, citizen journalists and aggregators have disrupted the system of distribution and now provide ever expanding alternatives to the traditional distribution streams. A new, New Journalism is on the rise with social networking creating a linchpin culture of leaders within this movement.
One of these cultural linchpins is the Brave New Foundation’s Brave New Educators (BNE) project. BNE’s mission is to engage people in a narrative to provide context and meaning. By using access to primary sources of moving imagery we practice constructing meaning and use these sources to create a new, unique and evolving sense of perspective in a digital form narrative.
BNE creates an incubator for social change by engaging educators and their student scholars with the catalysts of shock, shame, fear, and anger – the elephants in the room that people avoid.
Though critics may suggest that this bricolage methodology is documentary filmmaking 2.0, however documentaries don’t fully engage their audience. They tend to present an “ain’t it awful” scenario, leaving the viewer feeling disengaged and disempowered. The difference with the experience of Brave New Educators is that the activity of remixing exposes the creator to the negative material while allowing them to move through it and create their own narrative from it, thus empowering students and giving them essential tools for critical thinking in a media convergent society. These multimedia, hypertextual digital texts are light years from the traditional, dry college essays. Students in the BNE pilot program reported that while they found the material surprising, shocking and disturbing, it was the act of engaging with material they found uncomfortable that helped them gain new perspectives and create their own narrative.
Collaboratively involving others in a collective organized movement is a work of activism. Remixed narratives ignite the thought process and become a catalyst for collaborative change. In this way, ideas function as viruses, jumping from place to place until they go viral and create a wave of participatory culture that has the power to effect real change. This sharing and collaboration produce an innovative hybrid in the truest democratic form – organized chaos. The wisdom of crowds is founded on diverse opinions and ideologies. The new media is the catalyst for that.
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At the intersection of art and new media, a place where the convergence emerges.


